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Showing posts from October, 2018

Resignation from Arisia

After the events of this weekend, I have resigned as the Writing track manager for Arisia, Inc. 2019. I feel a profound sense of loss and disappointment for a community that has been an important part of my life for several years but no longer feels safe to me. I will say more about this when I feel the time is right. At the moment I just feel defeated.

Short Take Reviews for October 2018

I'm going to try to collect together a random assemblage of things I've been reading recently. As usual my interest falls on things I enjoyed rather than things I didn't. For the most part, reviews are for me a way to process what I'm experiencing for my own endeavors. That said, the world is full of movies, television shows, novels, songs, and short stories that I wager some have never heard of. For that reason, I hope you might find some value in these write-ups. Assemblage by Morgan Crooks (2018) Joy as and Act of Resistance by IDLES. I bought the IDLES other album after seeing it still mentioned in music review sites months after its release. With acerbic, strangely jubliant song shards like Stendhal Syndrome and White Privilege, this album worked an unexpected magic upon me. I found my self growing increasingly taken by the juxtaposition of harsh art-punk songs overlaid by singer Joe Talbot's sing-shout anthems. Joy as an Act of Resistance is the same as Br

Review of "Rust Maidens" by Gwendolyn Kiste

The problem with mirrors is when you don't like what you see, you have to wonder if it's the mirror's fault or yours. "Rust Maidens" cover 2018 Gwendolyne Kiste's debut novel "Rust Maidens" mentions mirrors directly only a handful of times, and yet I was struck by the idea of reflections as a motif in the novel. Whether opaque, chrome, or clear as day, the figures of this story lurch forward in a funhouse gauntlet of perception and twisted perspective. Phoebe Shaw returns to her Ohio hometown to confront the regrets and horrors of her childhood. Nearly thirty years prior, the young women of her neighborhood exhibited a terrible affliction. The eponymous 'Rust Maidens' are a group of five women who during the course of the summer of 1980, transform into phantoms of urban decay. Their skin puckers and peels, rusted metal bits poke out from the corners of their bodies, and nails change to jagged shards of glass. The cause for this tran