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What I Read in 2018

For my third year-end wrap-up blogpost, I’m going to share the things I’m most glad I read this year. In previous editions to this post, I’ve focused on novels and short stories I read that were published in that calendar year. I’m going to have to have to do something a little different this time. In years past, one of the motivating factors pushing me to read current writing was my own desire to update and broaden my own writing skills. I wanted to see what was out there and who was writing stuff I wanted to read. This year I have been involved in this longer project which has changed my focus to a lot of mythology and non-fiction books. I’ve read some books released this year but rather than rank them separately I’ll fold them into what left a mark - literary-wise - this year. The Only Harmless Great Thing by Brooke Bolander. A couple years back Uncanny Magazine published Bolander’s “Our Talons Can Crush Galaxies,” which was one of the most savage and funny take-downs of a sub-genr...

What I Saw in 2018

To continue my year-end best-of list, I’ll next move to movies that I really enjoyed this year. As usual, this is not a list meant to be what I think had the highest artistic merit of all movies released this year. I watch a lot of movies but I don’t watch nearly enough to be able to make a statement that sweeping. These are movies I liked a lot and I continued to think about for the rest of the year (however long that might be at this point). #5: Annihilation. I honestly didn’t think this was going to wind up so far down my list (number-wise). I loved the book this movie is loosely based upon by Jeff Vandermeer, and think that in terms of capturing the mood and translating the basic idea of the story for a wider audience this movie does an incredible job. It is a beautiful, awe-inspiring cerebral science fiction and damn unsettling to boot. It’s not at the top of this list because ultimately it didn’t seize my imagination or hit me with a hammer blow of feelings like some of the o...

What I Heard in 2018

It’s about that time of year again. Today I’m going to list my favorite five albums I heard this year. In terms of music, I wasn’t blown-away by much released this year. Most of what I bought were albums released ten or even twenty years ago. I wouldn’t classify this as nostalgia because what I was listening to wasn’t really what I was listening to at that time. Nevertheless it was a shift from last year which I thought was an excellent year for new music. That said my favorite release this year is one of my favorite albums in quite some time. #5) Be the Cowboy by Mitski: Propulsive, poignant electro-pop with a lead singer who seems to narrating, moment by moment the day she realized she had the ability to survive everything weighing her down. Survive, that is, if she did everything exactly the way she needed to. This is album composed of highly danceable anthems to self-possession and there’s not a single track that doesn’t contain some moment of cataclysmic heart-break set to a m...

Situation in Doubt

Although I regularly attend a variety of conventions around New England, Arisia has always felt the closest to 'home.' It's the convention that the vast majority of my close friends attend, the first con to give me panelist spots, and the first con I started volunteering for. I haven't made as big a deal about this on this blog as I might have, but I became the Writing Track Manager for Arisia over the summer. This represents a great deal of work, some really cool opportunities, and another way, I figured, to give back to the community that meant so much to me.I invited fellow writers who I wanted to see on panels I wrote. I reached out to friends who had not attended in a while to see if they might want to attend this year. I did my best to create the best damn writing track that's ever been put on at Arisia. And last Thursday all that fell apart. I absolutely believe Crystal Huff, Maura Taylor, and all of the other accounts of rape and abuse occurring in the ...

Resignation from Arisia

After the events of this weekend, I have resigned as the Writing track manager for Arisia, Inc. 2019. I feel a profound sense of loss and disappointment for a community that has been an important part of my life for several years but no longer feels safe to me. I will say more about this when I feel the time is right. At the moment I just feel defeated.

Short Take Reviews for October 2018

I'm going to try to collect together a random assemblage of things I've been reading recently. As usual my interest falls on things I enjoyed rather than things I didn't. For the most part, reviews are for me a way to process what I'm experiencing for my own endeavors. That said, the world is full of movies, television shows, novels, songs, and short stories that I wager some have never heard of. For that reason, I hope you might find some value in these write-ups. Assemblage by Morgan Crooks (2018) Joy as and Act of Resistance by IDLES. I bought the IDLES other album after seeing it still mentioned in music review sites months after its release. With acerbic, strangely jubliant song shards like Stendhal Syndrome and White Privilege, this album worked an unexpected magic upon me. I found my self growing increasingly taken by the juxtaposition of harsh art-punk songs overlaid by singer Joe Talbot's sing-shout anthems. Joy as an Act of Resistance is the same as Br...

Review of "Rust Maidens" by Gwendolyn Kiste

The problem with mirrors is when you don't like what you see, you have to wonder if it's the mirror's fault or yours. "Rust Maidens" cover 2018 Gwendolyne Kiste's debut novel "Rust Maidens" mentions mirrors directly only a handful of times, and yet I was struck by the idea of reflections as a motif in the novel. Whether opaque, chrome, or clear as day, the figures of this story lurch forward in a funhouse gauntlet of perception and twisted perspective. Phoebe Shaw returns to her Ohio hometown to confront the regrets and horrors of her childhood. Nearly thirty years prior, the young women of her neighborhood exhibited a terrible affliction. The eponymous 'Rust Maidens' are a group of five women who during the course of the summer of 1980, transform into phantoms of urban decay. Their skin puckers and peels, rusted metal bits poke out from the corners of their bodies, and nails change to jagged shards of glass. The cause for this tran...