Skip to main content

Third Trailer

Because I've said something about the other Star Wars trailers, I think I'll put down a few quick impressions of the most recent one.


In short, I'm still really impressed. The mood here is what really strikes me. The cinematography is straightforward and yet different somehow from other science fiction epics. I think part of this has to do with the avoidance of simple orange/blue color palettes (although I could be mistaken on that). There's a bit more going on in the X-Wing and Tie-Fighter battle than what we saw in the previous trailers but this is still not the gobs of unnecessary FX of the prequels. As many observers noted, there also seems to be a real focus on emotional impact. In particular, the confrontation between Kylo Ren (he of the radioactive cross guard lightsaber) and Finn registers as very dangerous. The short scene gives us Ren dominating the frame, Finn backed into one corner of the shot. If that is the direction J.J. Abrams goes with the lightsaber fights, I'm all for it. Give me one intense duel with genuine stakes over half a dozen "gee-whiz" nifty Yoda doing aerial acrobatics.

Speaking of stakes, the trailer sets up three potential story lines with dramatic and immediately interesting conflicts. Rey says she's a "no one." Finn has "nothing to fight for." And the presumed big bad, Kylo Ren, while holding the awesomely melted Vader helmet, vows to complete his work. The original trilogy did a great job setting up odd-balls and outsiders against an unstoppable, nearly omnipotent threat. Here we get the slight twist that the bad-guy also has something to prove, and the protagonists, while still outsiders, are in search for meaning.

Anyone else feel - taking a step outside of the hype-train - one thing is already clear? This is one of the most masterful uses of teasers, trailers, conventions, toys, and new media to build a genuine interest in a movie. Any Star Wars movie is going to blow out the box office in the first weekend, but the preparatory campaign behind this movie has leveraged existing fan interest to reach the widest possible audience. I don't always like to mix business and pleasure but you have to hand it to Disney - they know how to whip up a frenzy.

Comments

Popular posts from this blog

Death's End by Liu Cixin

Having recently finished the last book in Liu Cixin's instant classic "The Remembrance of Earth's Past" series, Death's End, I can only report a feeling of total amazement and awe. There is so much about this novel that blew my mind, that offered different and better ways of viewing the universe. This novel did what I wish more novels would, serve up a new universe entire, evoking beauty and horror, nobility and disgust, in a timeless monument to unfettered speculation.  Obviously, in discussing the events of the last of a trilogy books, spoilers are to be expected. I am, however, going to try to avoid discussing much beyond the first 100 pages of the third novel. I read the translation of this novel, as ushered into being by the amazing talent of Ken Liu. Ken has written of a certain prickliness when it comes to translating work. He makes an effort not to anglicize the source material, not smudging away the occasional difficulties in bringing Cixin...

A Reaction to Peter Watts' "Echopraxia"

Peter Watts’ Echopraxia  is a side-sequel to his previous hard sf horror novel  Blindsight . Daniel Bruks, a biologist in the Eastern Oregonian desert, gets stuck in the middle of a war between a fugitive vampire and a cult of rewired post-humans called Bicamerals, ultimately kidnapped by them as they head towards the sun. The goal of post-human and vampire alike is to investigate a possible alien intelligence gaining strength there, to determine if it poses a threat, or offers a weapon for the two sides as they struggle for advantage. Bruks' goal is simple survival. Reading Watts is a simultaneously bracing and discouraging experience. Bracing because his depiction of the future and the oddities who inhabit it continue to get better and better, his plots more complicated and more involving, his characters less like sock-puppets for his ideas and more like actual human beings (or whatevers). Discouraging because Watts uses his considerable gifts, artistic and academic, ...

The Dorsia Brevia Solution

While "Green Mars," didn't include nearly as much mind-blowing speculative awesomeness as the first book in Kim Stanley Robinson's Mars Trilogy, it did include one set-piece that I enjoyed very much: The Dorsa Brevia Declaration. As mentioned in my review earlier this week, the plot of Green Mars focuses on the approach of a second Martian revolution. The first revolution, as described in Red Mars, was a spasm of senseless violence, mayhem, and targeted assassination, accomplishing little besides the deaths of many, many important characters in the story. As would-be revolutionaries gather in an enormous lava tube named Dorsa Brevia, the central question is how would any future revolution escape the fate of the first. The process, which I'll describe below, was very familiar to me. During the course of my path to teaching history in Middle School, I worked at an afterschool program named Citizen Schools based in Boston. Citizen Schools had its ups and down...