Skip to main content

Third Trailer

Because I've said something about the other Star Wars trailers, I think I'll put down a few quick impressions of the most recent one.


In short, I'm still really impressed. The mood here is what really strikes me. The cinematography is straightforward and yet different somehow from other science fiction epics. I think part of this has to do with the avoidance of simple orange/blue color palettes (although I could be mistaken on that). There's a bit more going on in the X-Wing and Tie-Fighter battle than what we saw in the previous trailers but this is still not the gobs of unnecessary FX of the prequels. As many observers noted, there also seems to be a real focus on emotional impact. In particular, the confrontation between Kylo Ren (he of the radioactive cross guard lightsaber) and Finn registers as very dangerous. The short scene gives us Ren dominating the frame, Finn backed into one corner of the shot. If that is the direction J.J. Abrams goes with the lightsaber fights, I'm all for it. Give me one intense duel with genuine stakes over half a dozen "gee-whiz" nifty Yoda doing aerial acrobatics.

Speaking of stakes, the trailer sets up three potential story lines with dramatic and immediately interesting conflicts. Rey says she's a "no one." Finn has "nothing to fight for." And the presumed big bad, Kylo Ren, while holding the awesomely melted Vader helmet, vows to complete his work. The original trilogy did a great job setting up odd-balls and outsiders against an unstoppable, nearly omnipotent threat. Here we get the slight twist that the bad-guy also has something to prove, and the protagonists, while still outsiders, are in search for meaning.

Anyone else feel - taking a step outside of the hype-train - one thing is already clear? This is one of the most masterful uses of teasers, trailers, conventions, toys, and new media to build a genuine interest in a movie. Any Star Wars movie is going to blow out the box office in the first weekend, but the preparatory campaign behind this movie has leveraged existing fan interest to reach the widest possible audience. I don't always like to mix business and pleasure but you have to hand it to Disney - they know how to whip up a frenzy.
Post a Comment

Popular posts from this blog

What I Read in 2017

The third in my series of year-end lists is literature. As in past years, I've divided this post into two categories: Novels and short stories. Each of these stories made 2017 just a bit brighter for me and I hope this list includes at least a writer or two new to you.


Novels:
I Wish I was You by SP Miskowski: This was the subject of a review earlier this year. The way I feel about this novel, the tragedy of a talented person crippled by anger and regret, transformed into a monstrous avatar of wrath, has not really left me. Beyond the perfection of its prose and its preternatural subject matter, I feel like this is one of the best evocations of the mid-nineties I've seen published. There's something about this book that lingers with me long past the concerns of its plot and characters. I guess what I'm trying to say is this work moved me. 2017 would have been a lot dimmer if I hadn't read this work.New York 2140 by Kim Stanley Robinson: Robinson writes next-level sp…

Writing Horror

I'm wary offering advice to other writers. 

First of all I've got the whole imposter syndrome thing and whatever advice I give feels like a good way of revealing how little I know about anything. Second, what I've learned mostly relates to solving problems in my own writing. What advice does a dog have to offer to a duck on how to swim? 
However, for Arisia 2018, I'll be participating on a panel of doing just that - giving advice to aspiring horror writers about writing horror.

So, what truths can I impart?

Some advice feels absolutely true, if a bit self-evident.

You must read. If you're trying to write horror then you must read horror. Not just one novel. Not just one author. You should make a sincere effort to read everything by everyone. The more recent the better. The classics are always going to be there, but if you want a sense of where your stories could fit, you need to see what is being published out there.

You must write. I do not think you have to write …

Reading Response to "A Good Man is Hard to Find."

Reader Response to “A Good Man is Hard to Find” Morgan Crooks I once heard Flannery O’Connor’s work introduced as a project to describe a world denied God’s grace. This critic of O’Connor’s work meant the Christian idea that a person’s misdeeds, mistakes, and sins could be sponged away by the power of Jesus’ sacrifice at Crucifixion. The setting of her stories often seem to be monstrous distortions of the real world. These are stories where con men steal prosthetic limbs, hired labor abandons mute brides in rest stops, and bizarre, often disastrous advice is imparted.  O’Connor herself said of this reputation for writing ‘grotesque’ stories that ‘anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic.’ This is both a witty observation and a piece of advice while reading O’Connor’s work. These are stories about pain and lies and ugliness. The brutality that happens to characters …