Skip to main content

Disappearance at Devil's Rock

Finished reading "Disappearance at Devil's Rock" by Paul Tremblay and I'm going to put it on the recommended list for 2016 novels. This is one of a handful of works I've read this year that seem directly influenced or reacting to the True Detective phenomena from a couple years back. The first season, I mean, not the second.

The influence in the case of Tremblay is of an established weird fiction writer (His story "Swim Wants to Know If It's As Bad As Swim Thinks" was one of my favorites from the Best Weird Fiction Vol. 1 anthology) embracing the ambiguity of a vaguely supernatural, philosophy major-baiting crime thriller. Like True Detective, the layers of narrative and contradictory witnesses all work to cultivate doubt and suspicion. Unlike True Detective, the setting here is a very fleshed-out and specific evocation of childhood in the media inundated 21st century. Far from lamenting the presence of cell phones, internet, and the 24 hour blizzard of cable news, Tremblay embraces it as one more piece of the horror of the novel. Everyone feels as though they are connected, aware at all times of what surrounds them. Yet, the book suggests that a few misspent evenings and a couple instances of misplaced trust is all that's needed for the lives of a three children to be irrevocably changed.

I'm recommending this book despite some flaws in its narrative. Tremblay is probably trying to say something about trust and our ability to place belief in other people but the lies his plot depends on stretch plausibility. This isn't something that hits you at first and the ending of the book is quite satisfying but the jump between the indistinct menace of the first half of the book to the overt evil of the second is jarring and strains the suspension of disbelief.

***

The next chapter of "Agent Shield and Spaceman" is now available. As the agents draw closer to the Thulewaite Ranch, one member of the team reveals a  useful talent.



Comments

Popular posts from this blog

With the title World War Z

Early on in the mostly disappointing zombie epidemic thriller World War Z, UN Investigator Gerry Lane (Brad Pitt) hides out in a Newark apartment, trying to convince a family living there to flee with him from the hordes of sprinting, chomping maniacs infesting the city. The phrase he uses, drawing from years of experience in the world's troubled war-zones is "movement is life." Ultimately he's unsuccessful, the family barricades their door behind him and they join the ever-swelling ranks of the undead. As far as a guiding philosophy goes for a pop-action thriller like World War Z, 'movement is life,' isn't bad. And for the first half of the movie or so, it follows its own advice. Similar to other recent zombie movies (Dawn of the Dead, Shaun of the Dead) the warning signs of what the rest of the movie will bring are subtle and buried until all hell is ready to break through. The television mentions 'martial law,' Philadelphia traffic snarl
I’m going to take a slightly abbreviated approach to this year’s best-of lists and mostly focus on movies. It’s not that I didn’t read or listen to music but for whatever reason I feel uninspired to talk about either topic. C’est la vie! So in no particular order are five movies I greatly enjoyed watching this year. Firstly, Avengers: Endgame. Well, I guess there is some order to this list because literally the first thing I thought of in terms of movies I’ve seen is this movie. It is inevitable! This is the one MCU flick it’s hard for me to remember as simply a super-hero film. Although I found its predecessor a bit more more compulsively watchable, I really enjoyed this film. First of all it’s tone, which veered from despair, heist hijinx, parental reconciliation, to epic mega-brawl was never boring. Even the gorgeous mess which is that final fight has its own interior logic and sports some of the best looking cinematography this side of Black Panther. With Endgame MCU found a

Stephen King's 2017

Despite the release of a single novel and a few short stories, 2017 has to rank up there as one of the more Stephen King ascendant years. No less than four movies based on his works appeared, including one of the most successful horror films of all time, the first part of IT. 'The Mist' (Stephen King) by Dementall.deviantart.com Of course, with King, for every high, there are plenty of lows and 2017 also provided a number of examples of how to do his works wrong. But let's start with the good stuff. The movie adaptation of IT, directed by Andres Muschietti and starring a number of talented young actors (including Finn Wolfhard of "Stranger Things" fame) really captured, for me, a lot of what I liked about the original novel. Being scary certainly helped, but with King, the horror slice is never really the whole cake. What makes King King, at least for me, is the combination of earthy, believable characters with lurid, "Tales from the Crypt&quo