Skip to main content

Story Notes for "Ghost Notes"

This week my story, "Ghost Notes" appeared on the Dime Show Review website. Ghost Notes is one of a handful of contemporary fiction pieces I've written and only the third to be published. 

The story was easy to write in some respects. While not fully autobiographical, the incidents described in the story exist with unusual clarity within in my mind. The version you can read is not all that different in broad strokes from the first draft. That is definitely not always the case with my writing.

What do I think this story means? At heart, I think growing up means finding room to grow. Something has to be displaced in order for an individual to find enough space to find themselves. The character in this story finds himself in a very claustrophobic situation,  approaching the start of college with a sense of its possibilities without quite being able to imagine a world outside of the confines of his childhood room. I'm not sure if the ending is a happy ending for him or case of simple survival but it represents the encapsulation of a crisis.

This story is also about music, a major passion of mine. I've been playing and listening to music for a long, long time and part of this story is a love letter to the tunes of my childhood. Part of the fun in writing this piece was revisiting that music -- cringing at some, celebrating others.

A selection of songs I drew from as inspiration for this piece:

 "One More Hour" by Sleater-Kinney: The album this is on was released about two years before this story takes place but the tone of passion and intensity compressed right down to the most combustible state rings true to me for this piece.
"Little Room" by White Stripes: Another anachronistic song  that nevertheless summarizes the themes of this story with a bit more succinctness and verve than I can manage.

"In the Garage" by Weezer. I could pretend that I'm somehow above this song or that its words don't strike me at some visceral level but that would be a goddamned lie.

"Shaking Through" by REM. I was a HUGE REM fan in high school. Hell, I still am.

"Smells Like Teen Spirit" by Nirvana for obvious reasons.

Comments

Popular posts from this blog

Reading Response to "A Good Man is Hard to Find."

Reader Response to “A Good Man is Hard to Find” Morgan Crooks I once heard Flannery O’Connor’s work introduced as a project to describe a world denied God’s grace. This critic of O’Connor’s work meant the Christian idea that a person’s misdeeds, mistakes, and sins could be sponged away by the power of Jesus’ sacrifice at Crucifixion. The setting of her stories often seem to be monstrous distortions of the real world. These are stories where con men steal prosthetic limbs, hired labor abandons mute brides in rest stops, and bizarre, often disastrous advice is imparted.  O’Connor herself said of this reputation for writing ‘grotesque’ stories that ‘anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic.’ This is both a witty observation and a piece of advice while reading O’Connor’s work. These are stories about pain and lies and ugliness. The brutality that ha...

Death's End by Liu Cixin

Having recently finished the last book in Liu Cixin's instant classic "The Remembrance of Earth's Past" series, Death's End, I can only report a feeling of total amazement and awe. There is so much about this novel that blew my mind, that offered different and better ways of viewing the universe. This novel did what I wish more novels would, serve up a new universe entire, evoking beauty and horror, nobility and disgust, in a timeless monument to unfettered speculation.  Obviously, in discussing the events of the last of a trilogy books, spoilers are to be expected. I am, however, going to try to avoid discussing much beyond the first 100 pages of the third novel. I read the translation of this novel, as ushered into being by the amazing talent of Ken Liu. Ken has written of a certain prickliness when it comes to translating work. He makes an effort not to anglicize the source material, not smudging away the occasional difficulties in bringing Cixin...

With the title World War Z

Early on in the mostly disappointing zombie epidemic thriller World War Z, UN Investigator Gerry Lane (Brad Pitt) hides out in a Newark apartment, trying to convince a family living there to flee with him from the hordes of sprinting, chomping maniacs infesting the city. The phrase he uses, drawing from years of experience in the world's troubled war-zones is "movement is life." Ultimately he's unsuccessful, the family barricades their door behind him and they join the ever-swelling ranks of the undead. As far as a guiding philosophy goes for a pop-action thriller like World War Z, 'movement is life,' isn't bad. And for the first half of the movie or so, it follows its own advice. Similar to other recent zombie movies (Dawn of the Dead, Shaun of the Dead) the warning signs of what the rest of the movie will bring are subtle and buried until all hell is ready to break through. The television mentions 'martial law,' Philadelphia traffic snarl...