Skip to main content

Story Notes for "Ghost Notes"

This week my story, "Ghost Notes" appeared on the Dime Show Review website. Ghost Notes is one of a handful of contemporary fiction pieces I've written and only the third to be published. 

The story was easy to write in some respects. While not fully autobiographical, the incidents described in the story exist with unusual clarity within in my mind. The version you can read is not all that different in broad strokes from the first draft. That is definitely not always the case with my writing.

What do I think this story means? At heart, I think growing up means finding room to grow. Something has to be displaced in order for an individual to find enough space to find themselves. The character in this story finds himself in a very claustrophobic situation,  approaching the start of college with a sense of its possibilities without quite being able to imagine a world outside of the confines of his childhood room. I'm not sure if the ending is a happy ending for him or case of simple survival but it represents the encapsulation of a crisis.

This story is also about music, a major passion of mine. I've been playing and listening to music for a long, long time and part of this story is a love letter to the tunes of my childhood. Part of the fun in writing this piece was revisiting that music -- cringing at some, celebrating others.

A selection of songs I drew from as inspiration for this piece:

 "One More Hour" by Sleater-Kinney: The album this is on was released about two years before this story takes place but the tone of passion and intensity compressed right down to the most combustible state rings true to me for this piece.
"Little Room" by White Stripes: Another anachronistic song  that nevertheless summarizes the themes of this story with a bit more succinctness and verve than I can manage.

"In the Garage" by Weezer. I could pretend that I'm somehow above this song or that its words don't strike me at some visceral level but that would be a goddamned lie.

"Shaking Through" by REM. I was a HUGE REM fan in high school. Hell, I still am.

"Smells Like Teen Spirit" by Nirvana for obvious reasons.

Comments

Popular posts from this blog

Death's End by Liu Cixin

Having recently finished the last book in Liu Cixin's instant classic "The Remembrance of Earth's Past" series, Death's End, I can only report a feeling of total amazement and awe. There is so much about this novel that blew my mind, that offered different and better ways of viewing the universe. This novel did what I wish more novels would, serve up a new universe entire, evoking beauty and horror, nobility and disgust, in a timeless monument to unfettered speculation.  Obviously, in discussing the events of the last of a trilogy books, spoilers are to be expected. I am, however, going to try to avoid discussing much beyond the first 100 pages of the third novel. I read the translation of this novel, as ushered into being by the amazing talent of Ken Liu. Ken has written of a certain prickliness when it comes to translating work. He makes an effort not to anglicize the source material, not smudging away the occasional difficulties in bringing Cixin...

A Reaction to Peter Watts' "Echopraxia"

Peter Watts’ Echopraxia  is a side-sequel to his previous hard sf horror novel  Blindsight . Daniel Bruks, a biologist in the Eastern Oregonian desert, gets stuck in the middle of a war between a fugitive vampire and a cult of rewired post-humans called Bicamerals, ultimately kidnapped by them as they head towards the sun. The goal of post-human and vampire alike is to investigate a possible alien intelligence gaining strength there, to determine if it poses a threat, or offers a weapon for the two sides as they struggle for advantage. Bruks' goal is simple survival. Reading Watts is a simultaneously bracing and discouraging experience. Bracing because his depiction of the future and the oddities who inhabit it continue to get better and better, his plots more complicated and more involving, his characters less like sock-puppets for his ideas and more like actual human beings (or whatevers). Discouraging because Watts uses his considerable gifts, artistic and academic, ...

The Dorsia Brevia Solution

While "Green Mars," didn't include nearly as much mind-blowing speculative awesomeness as the first book in Kim Stanley Robinson's Mars Trilogy, it did include one set-piece that I enjoyed very much: The Dorsa Brevia Declaration. As mentioned in my review earlier this week, the plot of Green Mars focuses on the approach of a second Martian revolution. The first revolution, as described in Red Mars, was a spasm of senseless violence, mayhem, and targeted assassination, accomplishing little besides the deaths of many, many important characters in the story. As would-be revolutionaries gather in an enormous lava tube named Dorsa Brevia, the central question is how would any future revolution escape the fate of the first. The process, which I'll describe below, was very familiar to me. During the course of my path to teaching history in Middle School, I worked at an afterschool program named Citizen Schools based in Boston. Citizen Schools had its ups and down...