Skip to main content

Woburn Library Opening Ceremony

The following is the press release for the March 16th 2019 Opening Ceremony. for the renovated Woburn Public Library. As it mentions, I'll be reading an original poem for the dedication as a part of the ceremony. Thank you very much to the Woburn Library, Rebecca Meehan, and Andrea Bunker for asking for poetry to be included in the ceremony and for choosing my work.

Woburn Public Library Grand Re-Opening
Welcomes the Public on March 16: 2-5:30 pm

For immediate release:
Contact: Rebecca Meehan, rmeehan@minlib.net

Woburn Public Library Addition
Mayor Scott Galvin, the City Council and the Trustees of the Woburn Public Library proudly announce the grand re-opening of the newly renovated and expanded library on Pleasant Street in Woburn Center. The $31.5 million City-bonded project restores the 19thcentury National Historic Landmark, designed by celebrated architect Henry Hobson Richardson, while adding a new wing to meet the needs of Woburn’s 21stcentury community.
On March 16, from 2-5:30 pm, the public is invited to spend the afternoon with us, explore the new spaces, rediscover majestic historic spaces, and experience the library's new state-of-the-art technology, featured in almost every department. From a laptop vending machine to the new Maker Space’s powerful laser cutter and 3D printer, there's a lot to check out.
A never-ending story time will be held in the Children’s Room throughout the afternoon, where you can also see the new robot themed check out kiosk. And, if you don’t already have one, librarians will be on hand to help you sign up for a library card, so you can access everything the library has to offer.
“This library project has been an outstanding example of the citizens of Woburn coming together to restore the crown jewel of our community, which will now also provide the space for its rich resources to serve as a true cultural center for all of Woburn’s residents,” said Woburn Mayor Scott Galvin.
The original 1879 building, H.H. Richardson’s first commission after Trinity Church in Copley Square, Boston, reflects the architect’s unique blend of Romanesque structure with his admiration for local flora and fauna (integrated into the architecture in, for example, the botanical carvings on the pilasters in the Frizzell Study Hall). The glass wall of the new addition provides a spectacular view while new openings in the sandstone façade provide easy access between the original historic and the new spaces. The major addition and renovation were designed by CBT Architects, who drew on their experience renovating the Thomas Crane Public Library in Quincy, also designed by H.H. Richardson, restoring the Senate Chamber at the Massachusetts State House and creating the new wing at the Boston Museum of Fine Arts, blending the beauty of the original building with the needs of the 21st century Woburn community.“We are so proud to celebrate the completion of this extraordinary project,” said Richard Mahoney, President of the Woburn Public Library Trustees. “This dream has come true thanks to the support of our staff, patrons, the Friends, the Foundation, the Massachusetts Board of Library Commissioners, Mayor Galvin and the City Council.”
The opening celebration will include performances by the Woburn Memorial High School Band, and a performance by the Woburn Memorial High School Acapella Choir, as well as a ribbon-cutting and a reading of an original poem written by Woburn resident and local author Morgan Crooks to mark the occasion.

Comments

Popular posts from this blog

With the title World War Z

Early on in the mostly disappointing zombie epidemic thriller World War Z, UN Investigator Gerry Lane (Brad Pitt) hides out in a Newark apartment, trying to convince a family living there to flee with him from the hordes of sprinting, chomping maniacs infesting the city. The phrase he uses, drawing from years of experience in the world's troubled war-zones is "movement is life." Ultimately he's unsuccessful, the family barricades their door behind him and they join the ever-swelling ranks of the undead. As far as a guiding philosophy goes for a pop-action thriller like World War Z, 'movement is life,' isn't bad. And for the first half of the movie or so, it follows its own advice. Similar to other recent zombie movies (Dawn of the Dead, Shaun of the Dead) the warning signs of what the rest of the movie will bring are subtle and buried until all hell is ready to break through. The television mentions 'martial law,' Philadelphia traffic snarl
I’m going to take a slightly abbreviated approach to this year’s best-of lists and mostly focus on movies. It’s not that I didn’t read or listen to music but for whatever reason I feel uninspired to talk about either topic. C’est la vie! So in no particular order are five movies I greatly enjoyed watching this year. Firstly, Avengers: Endgame. Well, I guess there is some order to this list because literally the first thing I thought of in terms of movies I’ve seen is this movie. It is inevitable! This is the one MCU flick it’s hard for me to remember as simply a super-hero film. Although I found its predecessor a bit more more compulsively watchable, I really enjoyed this film. First of all it’s tone, which veered from despair, heist hijinx, parental reconciliation, to epic mega-brawl was never boring. Even the gorgeous mess which is that final fight has its own interior logic and sports some of the best looking cinematography this side of Black Panther. With Endgame MCU found a

Reading Response to "A Good Man is Hard to Find."

Reader Response to “A Good Man is Hard to Find” Morgan Crooks I once heard Flannery O’Connor’s work introduced as a project to describe a world denied God’s grace. This critic of O’Connor’s work meant the Christian idea that a person’s misdeeds, mistakes, and sins could be sponged away by the power of Jesus’ sacrifice at Crucifixion. The setting of her stories often seem to be monstrous distortions of the real world. These are stories where con men steal prosthetic limbs, hired labor abandons mute brides in rest stops, and bizarre, often disastrous advice is imparted.  O’Connor herself said of this reputation for writing ‘grotesque’ stories that ‘anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic.’ This is both a witty observation and a piece of advice while reading O’Connor’s work. These are stories about pain and lies and ugliness. The brutality that happen