Skip to main content

American Horror Story: I am Ann Frank Part 1 and 2

American Horror Story finally had a good episode. I was starting to get worried.

The first part of the Ann Frank two-parter was frankly worse than a disappointment. Everything that bugged me about the first few episodes: the mish-mash of characters and plot, the schlocky dialogue and the mediocre camera work was amplified in the first half of the story. Worse, having Ann Frank show up felt gratuitous at best and down-right exploitive at worst. You know what a show that already has serial killers, mutants, aliens, lunatics, ghosts and demons really needed? Yeah, sadistic Nazis. And also, the conversion therapy scene? Eew. 

But the second episode turned it around. I'll credit a lot of this to a new (to this season of AHS, anyway) director, Alfonso Gomez-Rejon and also the episode's cleverly anti-climatic reveal of the identity of the Bloody Face killer. If you hadn't figured out who the serial killer was by the final 15 minutes of the episode, the writers found a way to turn a lamp on for you. I thought this scene was effective and made narrative sense. The allusions to past atrocities were ghoulish touch-stones grounding the scene in an imagined time and place. In previous episodes, this nostalgia felt counterfeit and bloodless but here it was all the tightening of a noose. 

Falchuk wrote this episode and while I never really liked Glee all that much, the story benefitted from an experienced hand. Of course, Lana would jump at the chance to leave Briarcliff and of course the Bloody Faces killer's explanations would sound reasonable, right up until they didn't anymore. And by then, of course, it was too late. 

But the other elements of the story also came together. The juxtaposition of Sister Jude's fall from grace and Charlotte's lobotomy were compelling and ironic without being obvious. Thredson's failure to help Charlotte appears tragic until it doesn't seem that way at all. Falchuk found a way to let this show's complex stories be without fussing with them too much. 

The show seems to be focusing its energies on Dr. Arden. Is he a Nazi or not? Would it be worse if he was an ex-SS officer or is it more disturbing if he's an example of the banality of evil? Now that we know he isn't the Baby Face killer he reasons for being the story seem to be dwindling. He appears to have set the processes of Briarcliff in motion but he doesn't seem to have enough complexity as a character to suggest he'll be around long to watch how they play out. 

The next episode is entitled the Origins of Monstrosity. I'm guessing were going to see a lot more of Zachary Quinto.

Comments

Popular posts from this blog

Death's End by Liu Cixin

Having recently finished the last book in Liu Cixin's instant classic "The Remembrance of Earth's Past" series, Death's End, I can only report a feeling of total amazement and awe. There is so much about this novel that blew my mind, that offered different and better ways of viewing the universe. This novel did what I wish more novels would, serve up a new universe entire, evoking beauty and horror, nobility and disgust, in a timeless monument to unfettered speculation.  Obviously, in discussing the events of the last of a trilogy books, spoilers are to be expected. I am, however, going to try to avoid discussing much beyond the first 100 pages of the third novel. I read the translation of this novel, as ushered into being by the amazing talent of Ken Liu. Ken has written of a certain prickliness when it comes to translating work. He makes an effort not to anglicize the source material, not smudging away the occasional difficulties in bringing Cixin...

A Reaction to Peter Watts' "Echopraxia"

Peter Watts’ Echopraxia  is a side-sequel to his previous hard sf horror novel  Blindsight . Daniel Bruks, a biologist in the Eastern Oregonian desert, gets stuck in the middle of a war between a fugitive vampire and a cult of rewired post-humans called Bicamerals, ultimately kidnapped by them as they head towards the sun. The goal of post-human and vampire alike is to investigate a possible alien intelligence gaining strength there, to determine if it poses a threat, or offers a weapon for the two sides as they struggle for advantage. Bruks' goal is simple survival. Reading Watts is a simultaneously bracing and discouraging experience. Bracing because his depiction of the future and the oddities who inhabit it continue to get better and better, his plots more complicated and more involving, his characters less like sock-puppets for his ideas and more like actual human beings (or whatevers). Discouraging because Watts uses his considerable gifts, artistic and academic, ...

The Dorsia Brevia Solution

While "Green Mars," didn't include nearly as much mind-blowing speculative awesomeness as the first book in Kim Stanley Robinson's Mars Trilogy, it did include one set-piece that I enjoyed very much: The Dorsa Brevia Declaration. As mentioned in my review earlier this week, the plot of Green Mars focuses on the approach of a second Martian revolution. The first revolution, as described in Red Mars, was a spasm of senseless violence, mayhem, and targeted assassination, accomplishing little besides the deaths of many, many important characters in the story. As would-be revolutionaries gather in an enormous lava tube named Dorsa Brevia, the central question is how would any future revolution escape the fate of the first. The process, which I'll describe below, was very familiar to me. During the course of my path to teaching history in Middle School, I worked at an afterschool program named Citizen Schools based in Boston. Citizen Schools had its ups and down...