Skip to main content

American Horror Story, Season Two, Episode Three: Nor'Easter

I'll give this to Brad Falchuk -- he has a keen sense of timing. The absorbing third episode of the American Horror Story, "Nor'Easter" is all the more effective owing to coming right on the heels of Sandy. Nature's fury seizes my imagination more tightly when the debris from an actual Superstorm still clutter my street.

I could have used for even more of the storm actually. The radio mentions it, and the central conceit of the story, that Sister Jude (the operatic Jessica Lange) wants to calm the patients at the Briarcliff Mental Institution, depends upon it. But when it actually arrived, the sound studio torrents reminded me more of the final scene of Shawshank Redemption than some actual apocalyptic storm. American Horror Story doesn't seem to be shy about 'more is better,' elsewhere. The first episode introduced the asylum, it's inmates, a creepy sadistic Dr. Arthur Arden (James Cromwell), a nymphomaniac (Chloe Svegniy), a wife-killing psychopath (Kit Walker, played by Evan Peters) who insists he was abducted by aliens (played by unwholesome grey prosthesis), an undead serial killer, and a crusading journalist wrongly detained. Since the first episode, Satan has made his appearance, zombies have appeared and Dr. Arden has gone off the deep-end.

 Strangely, I still think this works. Partly this has to do with fine acting from the ensemble and partly this has to do with tone. I have no idea what American Horror Story is playing at but it seems to be having a lot of malicious fun getting to its point.

 I wouldn't say American Horror Story is scary precisely, but it does provide a lot of ghoulish television fun in one hour. I'm not sure. If the plot wasn't so tightly entwined I'd almost be tempted to say American Horror Story tells anthologies of stories, like Creep Show. But I don't think that's what they are trying. The monsters of one character keep intruding on other characters' stories: Kit Walker's aliens make an appearance (and possibly abduct?) during Sister Jude's boozy fall from grace. The zombies that Sister Mary tends for Dr. Arden thwart Kit, Shelly, Lana and Grace's escape attempt. Everything is connected at the same time everything's falling apart.

It's almost as if the show itself was insane and the 'stories' are the various delusions bubbling to the surface during therapy. Alternately, maybe only one of the monsters is real and the others are masks it wears. I just can't believe the show actually wants us to believe that this one asylum is beset by an entire menagerie of evil. That wouldn't be a story, that would be a scare house.

 By bet is on the aliens.

Comments

Popular posts from this blog

Review of R. Scott Bakker's The Darkness That Comes Before

First, a word about how I came to pick up the first novel in R. Scott Bakker's The Prince of Nothing historical fantasy series. In short, after finishing "A Dance with Dragons," by George R.R. I googled what should I read next. This series came up. I mention this because it might serve as a usual gauge for what to expect from "The Darkness That Came Before;" people liking Martin's mix of history, in-depth characterization, dark subject matter, and world-building will probably like Bakker's work. People not fond of entire chapters devoted to the Byzantine political maneuvers, a dozen pages of appendices on characters, maps, and language trees, or character names with umlauts should avoid this book. Basically, the story of 'The Darkness That Comes Before," follows a warrior monk by the name of Anasürimbur Kellhus, who during a quest to find his father, becomes entwined with a Holy War against a nation of fanatical monotheists. The story is...

Death's End by Liu Cixin

Having recently finished the last book in Liu Cixin's instant classic "The Remembrance of Earth's Past" series, Death's End, I can only report a feeling of total amazement and awe. There is so much about this novel that blew my mind, that offered different and better ways of viewing the universe. This novel did what I wish more novels would, serve up a new universe entire, evoking beauty and horror, nobility and disgust, in a timeless monument to unfettered speculation.  Obviously, in discussing the events of the last of a trilogy books, spoilers are to be expected. I am, however, going to try to avoid discussing much beyond the first 100 pages of the third novel. I read the translation of this novel, as ushered into being by the amazing talent of Ken Liu. Ken has written of a certain prickliness when it comes to translating work. He makes an effort not to anglicize the source material, not smudging away the occasional difficulties in bringing Cixin...

A Reaction to Peter Watts' "Echopraxia"

Peter Watts’ Echopraxia  is a side-sequel to his previous hard sf horror novel  Blindsight . Daniel Bruks, a biologist in the Eastern Oregonian desert, gets stuck in the middle of a war between a fugitive vampire and a cult of rewired post-humans called Bicamerals, ultimately kidnapped by them as they head towards the sun. The goal of post-human and vampire alike is to investigate a possible alien intelligence gaining strength there, to determine if it poses a threat, or offers a weapon for the two sides as they struggle for advantage. Bruks' goal is simple survival. Reading Watts is a simultaneously bracing and discouraging experience. Bracing because his depiction of the future and the oddities who inhabit it continue to get better and better, his plots more complicated and more involving, his characters less like sock-puppets for his ideas and more like actual human beings (or whatevers). Discouraging because Watts uses his considerable gifts, artistic and academic, ...