Skip to main content

What I Read in May

This list will be a bit longer than previous post if only because there was so much I read this month that really appealed to me. I think two or three of them were instant favorites for the year, but I’ll withhold judgement until a few months have passed. As always, the list presented below is in no particular order.


Pacific Flotsam (2015 Morgan Crooks)
  • The Two Weddings of Bronwyn Hyatt by Alex Bledsoe (TOR.com) Bledsoe’s story is the kind I normally skip as the first scene involves a girl trying on an beautiful dress and making wedding plans. However, something about the protagonist's flinty dialogue kept me reading. I'm glad I did as within a few swift pages I was hooked. Bledsoe sets his fantasy pageant in a backwoods Virginia rife with European fairies intriguing with indigenous fey. The bride, the Bronwyn of the title, navigates through the needs of her own family and the machinations of rivals. This is a genuinely tense scenario with clever twists.
  • An Ocean of Eyes by Cassandra Khaw (The Dark) I’m recommending this story on the basis of its ghastly and strangley dignified setting:  a city ruled by dead, hungry gods and the fools lured to their own destruction. One of a handful of stories I’ve read this year bringing something fresh to Lovecraft Mythos.
  • Time Bomb Time by CC Finlay (Lightspeed) Finlay weaved an elegant mental claw-trap of a story. To say too much about the plot is to ruin the effect but suffice to say it revolves around two characters stuck in a bizarre situation unable to perceive that anything strange is going on at all. Very well constructed. Finlay is able to take a simple idea (almost a gimmick) and make it the heart of a distressing morality play.
  • Disharmony by Ken Poyner (DSF) A weird micro-fiction involving an alien race that uses music for weapons and the terrible results of getting into war with them. Evocative language in service of an unsettling idea.
  • For the Love of Sylvia City by Andrea Pawley (Clarkesworld) Science Fiction stories should introduce a world too weird to be possible and too compelling to be ignored. This story hits the mark on those two levels and so many more. The craft here is notable, Pawley able to conjure up entire post-human societies in the space of time it takes a person to swim to the surface and back.
  • The Red Light is Blinking by Kealan Patrick Burke. (Nightmare) The Red Light is a rather troubling piece seemingly one pitch away from being the next Blumhouse horror movie. Having watched my fair share of Blumhouse films I don’t mean this as a criticism. The writing was taut and effective but also nasty and morally questionable. Just the way horror should be some might say.
  • Poof! by Laura Walden Rabb (Driftwood) A literary speculative piece about an artist striving to reimagine painting for the future. After first creating moveable paint Marx Shepherd invents disappearing paint. All of his work will at some point disappear and the story uses this idea to point to something interesting about the nature of art and life. A small but entertaining story.

Comments

Popular posts from this blog

Review of R. Scott Bakker's The Darkness That Comes Before

First, a word about how I came to pick up the first novel in R. Scott Bakker's The Prince of Nothing historical fantasy series. In short, after finishing "A Dance with Dragons," by George R.R. I googled what should I read next. This series came up. I mention this because it might serve as a usual gauge for what to expect from "The Darkness That Came Before;" people liking Martin's mix of history, in-depth characterization, dark subject matter, and world-building will probably like Bakker's work. People not fond of entire chapters devoted to the Byzantine political maneuvers, a dozen pages of appendices on characters, maps, and language trees, or character names with umlauts should avoid this book. Basically, the story of 'The Darkness That Comes Before," follows a warrior monk by the name of Anasürimbur Kellhus, who during a quest to find his father, becomes entwined with a Holy War against a nation of fanatical monotheists. The story is...

Death's End by Liu Cixin

Having recently finished the last book in Liu Cixin's instant classic "The Remembrance of Earth's Past" series, Death's End, I can only report a feeling of total amazement and awe. There is so much about this novel that blew my mind, that offered different and better ways of viewing the universe. This novel did what I wish more novels would, serve up a new universe entire, evoking beauty and horror, nobility and disgust, in a timeless monument to unfettered speculation.  Obviously, in discussing the events of the last of a trilogy books, spoilers are to be expected. I am, however, going to try to avoid discussing much beyond the first 100 pages of the third novel. I read the translation of this novel, as ushered into being by the amazing talent of Ken Liu. Ken has written of a certain prickliness when it comes to translating work. He makes an effort not to anglicize the source material, not smudging away the occasional difficulties in bringing Cixin...

A Reaction to Peter Watts' "Echopraxia"

Peter Watts’ Echopraxia  is a side-sequel to his previous hard sf horror novel  Blindsight . Daniel Bruks, a biologist in the Eastern Oregonian desert, gets stuck in the middle of a war between a fugitive vampire and a cult of rewired post-humans called Bicamerals, ultimately kidnapped by them as they head towards the sun. The goal of post-human and vampire alike is to investigate a possible alien intelligence gaining strength there, to determine if it poses a threat, or offers a weapon for the two sides as they struggle for advantage. Bruks' goal is simple survival. Reading Watts is a simultaneously bracing and discouraging experience. Bracing because his depiction of the future and the oddities who inhabit it continue to get better and better, his plots more complicated and more involving, his characters less like sock-puppets for his ideas and more like actual human beings (or whatevers). Discouraging because Watts uses his considerable gifts, artistic and academic, ...