Skip to main content

Stranger Things on Netflix

I am HOOKED on Netflix's "Stranger Things," the exclusive mystery/horror series released last week. Seriously, folks, this is a good show - and probably one of my favorite things I've seen on the small screen this year.



Everything, from the retro-style of the production, the smart casting  choices (Winona Ryder is fantastic), to the intriguing "Demigorgon" monster works so well. The Duffer Brothers (Matt and Ross Duffer) deserve credit for much of this, having woven together the spectral and mundane elements of the story with confidence and style.

It helps that the nostalgia this show mines is congruent to my own experiences as a child of the mid-80s. Without being annoying about it, the show hits all of the right notes - from the awesomely boxy cars, to the amazement shown a 22-inch television screen and a Laz-E-Boy, to the inspired soundtrack choices. This feels like the 80s.

Better yet, this retro setting doesn't feel like a gratuitous move. The story Stranger Things tells (and here's where I should mention I'm only half way through the series) is one that deftly weaves elements of small town troubles, government conspiracies, and the naive optimism of middle school aged kids. It's been a long time since Hollywood has figured out how to get all of these elements together at once without it seeming campy or dismissive. Stranger Things manages that trick.

I'll finish by pointing out the monster of the series is really cool. There hasn't been that much explanation of it yet, but what appears on the screen owes something to Poltergeist, Alien, and Stephen King's IT. The Duffers are adept at using the medium of the small screen to their advantage - always locating the menace just off screen or framed at a distance through obstruction. We think we see more than we actually do, our terrified brains already supplying fangs and claws to a tiger we only hear growling.

***

If you have a spare second in-between binging on the show above, you might want to check out my serial web fiction, "Agent Shield and Spaceman." The twelfth chapter is now available; the agents of Section Starfire traveling to Waco, Texas to track down a lead on the source of the Burmese Tiger Snake.


Labels:

Comments

Post a Comment

Popular posts from this blog

Reading Response to "A Good Man is Hard to Find."

Reader Response to “A Good Man is Hard to Find” Morgan Crooks I once heard Flannery O’Connor’s work introduced as a project to describe a world denied God’s grace. This critic of O’Connor’s work meant the Christian idea that a person’s misdeeds, mistakes, and sins could be sponged away by the power of Jesus’ sacrifice at Crucifixion. The setting of her stories often seem to be monstrous distortions of the real world. These are stories where con men steal prosthetic limbs, hired labor abandons mute brides in rest stops, and bizarre, often disastrous advice is imparted.  O’Connor herself said of this reputation for writing ‘grotesque’ stories that ‘anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic.’ This is both a witty observation and a piece of advice while reading O’Connor’s work. These are stories about pain and lies and ugliness. The brutality that ha...
1 comment
Read more

Death's End by Liu Cixin

Having recently finished the last book in Liu Cixin's instant classic "The Remembrance of Earth's Past" series, Death's End, I can only report a feeling of total amazement and awe. There is so much about this novel that blew my mind, that offered different and better ways of viewing the universe. This novel did what I wish more novels would, serve up a new universe entire, evoking beauty and horror, nobility and disgust, in a timeless monument to unfettered speculation.  Obviously, in discussing the events of the last of a trilogy books, spoilers are to be expected. I am, however, going to try to avoid discussing much beyond the first 100 pages of the third novel. I read the translation of this novel, as ushered into being by the amazing talent of Ken Liu. Ken has written of a certain prickliness when it comes to translating work. He makes an effort not to anglicize the source material, not smudging away the occasional difficulties in bringing Cixin...
Post a Comment
Read more

With the title World War Z

Early on in the mostly disappointing zombie epidemic thriller World War Z, UN Investigator Gerry Lane (Brad Pitt) hides out in a Newark apartment, trying to convince a family living there to flee with him from the hordes of sprinting, chomping maniacs infesting the city. The phrase he uses, drawing from years of experience in the world's troubled war-zones is "movement is life." Ultimately he's unsuccessful, the family barricades their door behind him and they join the ever-swelling ranks of the undead. As far as a guiding philosophy goes for a pop-action thriller like World War Z, 'movement is life,' isn't bad. And for the first half of the movie or so, it follows its own advice. Similar to other recent zombie movies (Dawn of the Dead, Shaun of the Dead) the warning signs of what the rest of the movie will bring are subtle and buried until all hell is ready to break through. The television mentions 'martial law,' Philadelphia traffic snarl...
Post a Comment
Read more