Skip to main content

Review of The Circle (movie)


I'll keep this short because although the reasons this film fails are many and complex, the end result is fairly easy to state. Don't watch this movie. It's worth neither your time nor money. 

Emma Watson as Mae Holland with a plausible reaction to watching this film.

It disappoints me to have to write the above because I did have high-hopes for this work. I read the novel when I learned who would be starring in the movie version of the book. Having read the book I thought The Circle was one of those rare works which might work really well as a movie.

Sadly, this isn't the movie I imagined.

It's not for lack of trying at the outset. The producers were able to bring in undeniable talent for this film. Tom Hanks in the semi-villain role Eamon Bailey, Emma Watson as the trusting and ambitious Mae, and half a dozen actors and actresses you've heard of before. The story is timely (although already rapidly fading in topicality - the half-life of near-future technofiction is not long) and the satire of the novel was gleefully savage. This should have worked much better.

And for the first half of the movie it mostly delivers on its promises. Then it just collapses.

I think the biggest of many, many problems, is that the producers got cold feet about the larger point of the novel. This is not a story of how a digital dystopia is averted. It is a story of how well-meaning and sympathetic people can participate in and popularize a highly frightening strain of tyranny. Mae, in particular, becomes very hard to like as the novel wears on. And maybe that's a flaw in the book, to be honest, but it's also the path that makes the most sense given Egger's concept. To maneuver things very early on to keep our sympathy with Mae, the script introduces all sorts of distortions into the movie - both making the menace of The Circle more overt and reducing Mae's culpability. Then the final scene adds just one more layer of stupidity to the already collapsed soufflé of suck.

Seriously, I could go on but what would be the point? The movie is bad. It starts bad, gets worse, and then to complete the circle, finishes with the most feeble attempt at back-tracking and story rebooting possible. It just doesn't work.

Comments

Popular posts from this blog

Reading Response to "A Good Man is Hard to Find."

Reader Response to “A Good Man is Hard to Find” Morgan Crooks I once heard Flannery O’Connor’s work introduced as a project to describe a world denied God’s grace. This critic of O’Connor’s work meant the Christian idea that a person’s misdeeds, mistakes, and sins could be sponged away by the power of Jesus’ sacrifice at Crucifixion. The setting of her stories often seem to be monstrous distortions of the real world. These are stories where con men steal prosthetic limbs, hired labor abandons mute brides in rest stops, and bizarre, often disastrous advice is imparted.  O’Connor herself said of this reputation for writing ‘grotesque’ stories that ‘anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic.’ This is both a witty observation and a piece of advice while reading O’Connor’s work. These are stories about pain and lies and ugliness. The brutality that ha...

Death's End by Liu Cixin

Having recently finished the last book in Liu Cixin's instant classic "The Remembrance of Earth's Past" series, Death's End, I can only report a feeling of total amazement and awe. There is so much about this novel that blew my mind, that offered different and better ways of viewing the universe. This novel did what I wish more novels would, serve up a new universe entire, evoking beauty and horror, nobility and disgust, in a timeless monument to unfettered speculation.  Obviously, in discussing the events of the last of a trilogy books, spoilers are to be expected. I am, however, going to try to avoid discussing much beyond the first 100 pages of the third novel. I read the translation of this novel, as ushered into being by the amazing talent of Ken Liu. Ken has written of a certain prickliness when it comes to translating work. He makes an effort not to anglicize the source material, not smudging away the occasional difficulties in bringing Cixin...

With the title World War Z

Early on in the mostly disappointing zombie epidemic thriller World War Z, UN Investigator Gerry Lane (Brad Pitt) hides out in a Newark apartment, trying to convince a family living there to flee with him from the hordes of sprinting, chomping maniacs infesting the city. The phrase he uses, drawing from years of experience in the world's troubled war-zones is "movement is life." Ultimately he's unsuccessful, the family barricades their door behind him and they join the ever-swelling ranks of the undead. As far as a guiding philosophy goes for a pop-action thriller like World War Z, 'movement is life,' isn't bad. And for the first half of the movie or so, it follows its own advice. Similar to other recent zombie movies (Dawn of the Dead, Shaun of the Dead) the warning signs of what the rest of the movie will bring are subtle and buried until all hell is ready to break through. The television mentions 'martial law,' Philadelphia traffic snarl...