My fandom of Stephen
King and his adaptions is complicated by the sheer volume of his work. King has
written some of my favorite books of all time (Pet Semetary and The Stand) and
others I can barely believe I read five pages through.
However, no matter
what I or anyone might say, King is an unescapable fixture in the world of 20th
century and 21st century literature. Most of the people I've ever met have read
at least one of his books and I generally find it's a good sign if a person has read
a bunch of them.
"IT," in
particular, occupies a special place in my mind. It was one of the first adult
books I read as a kid - way back in the summer of sixth grade at summer camp. I
didn't understand all of it on a conscious level but experienced it on a deeper, emotional level. The story of a gang of 'losers,' desperately
trying to survive in the face of indifferent adults, hostile bullies, and a
monstrous clown made a great deal of sense to me. As in, I didn't so much read
this as 'horror,' but slight hyperbole.
I watched the
miniseries and was left feeling something I was to experience repeatedly with
King's adaptions: they didn't quite get it. The parts that felt closest to the
books didn't work as well, and the parts that worked best - Tim Curry's
gleefully hammy take on Pennywise -were
different from the book.
It is undeniable
that great movies have been made from King's works and some of them were
actually quite close to the source material. However, in general, the folksy,
profane and at times lurid style King uses in describing the day-to-day
existence of people tends not to translate well to the screen.
This current
adaption falls into the mid-realm of adaptions. The parts that work take the
best of a very long book, boil it down into a convincing coming-of-age story
and mix enough spooky bits to more-or-less evoke the atmosphere and tone of the
original novels. In particular I like the final lair of Pennywise which,
although different from how it's described in the book, is nevertheless
unearthly enough to suggest King's macroverse.
As a whole, I don't
have any complaints with the concept of Pennywise or Bill Skarsgard's take on
the character. Instead of going cruel and campy, Skarsgard conjures something
feral and somewhat pathetic - like a tiger that goes man-eater because in its advance
age that's the easiest prey available. One of the better decisions here is to
not fully reveal what 'IT' is but only suggest the truth in the final
confrontation. It left me interested to see what this creative team does with
the macroverse version of the creature.
What tugs me away
from unreservedly loving this film has to with very specific choices made in
the story which, while defensible in the service of getting the basic lines of
the story told, nevertheless subtract from my personal enjoyment of the work.
First off, Mike's story is particularly stream-lined in this version. As the
only person of color in the movie who has more than a couple of lines, this is
a particularly unfortunate decision. If you're already updating this work to
1989, why not either flesh out Mike's role a bit or switch a few of the other
characters away from the usual cis white male pantheon?
This movie also
leans hard on the jump scares. Now, this is one of those complaints that always
seems like a short-hand for larger complaints about a horror movie. "Oh, I
didn't like that one because of all the jump-scares." But the fact remains,
horror is more than simply the limbic jolt one gets from a monster charging the
screen. Horror dwells in the foreknowledge of unpleasant fates. The scare at
the end of a death scene should be the resolution, not the climax.
Also, why does
Beverly need to get rescued at the end? I know why but in the same year that
gave us Wonder Woman, my patience for endamseling the only strong female
character in a story is near nil. Just as a mental exercise, wouldn't it be
more interesting if the two skeptical characters - Richie or Stan - got nabbed?
I'm not sure this sub-plot was necessary to begin with but why not mix up
things up a bit?
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