Skip to main content

Story announcement for "Implicate Order"

I am proud to announce my horror story, "Implicate Order" appears in the new issue of Lamplight Magazine (scroll down to Volume Six Issue Two). In the aftermath of a distant relative's funeral, a young boy learns unpleasant facts about the world's hidden ecologies. Of all of the stories I've written, I think this may be one of my favorites. I hope to post sometime this week story-notes on writing this piece.


"Implicate Order" appears along side staggering stories from writers KL Pereira, Sarah Reed, Noelle Henneman, and Haleh Agar. There is also a classic story from the Dark Fantasy writer Francis Stevens. I am humbled to have this story appear alongside such illustrious company. Thank you Catherine Grant and the rest of the Lamplight team for choosing this story and for doing an amazing job putting Issue 6.2 together.

How to read e-issue:


How to read paper issue:


Please give the magazine a read!
Post a Comment

Popular posts from this blog

What I Read in 2017

The third in my series of year-end lists is literature. As in past years, I've divided this post into two categories: Novels and short stories. Each of these stories made 2017 just a bit brighter for me and I hope this list includes at least a writer or two new to you.


Novels:
I Wish I was You by SP Miskowski: This was the subject of a review earlier this year. The way I feel about this novel, the tragedy of a talented person crippled by anger and regret, transformed into a monstrous avatar of wrath, has not really left me. Beyond the perfection of its prose and its preternatural subject matter, I feel like this is one of the best evocations of the mid-nineties I've seen published. There's something about this book that lingers with me long past the concerns of its plot and characters. I guess what I'm trying to say is this work moved me. 2017 would have been a lot dimmer if I hadn't read this work.New York 2140 by Kim Stanley Robinson: Robinson writes next-level sp…

Writing Horror

I'm wary offering advice to other writers. 

First of all I've got the whole imposter syndrome thing and whatever advice I give feels like a good way of revealing how little I know about anything. Second, what I've learned mostly relates to solving problems in my own writing. What advice does a dog have to offer to a duck on how to swim? 
However, for Arisia 2018, I'll be participating on a panel of doing just that - giving advice to aspiring horror writers about writing horror.

So, what truths can I impart?

Some advice feels absolutely true, if a bit self-evident.

You must read. If you're trying to write horror then you must read horror. Not just one novel. Not just one author. You should make a sincere effort to read everything by everyone. The more recent the better. The classics are always going to be there, but if you want a sense of where your stories could fit, you need to see what is being published out there.

You must write. I do not think you have to write …

Reading Response to "A Good Man is Hard to Find."

Reader Response to “A Good Man is Hard to Find” Morgan Crooks I once heard Flannery O’Connor’s work introduced as a project to describe a world denied God’s grace. This critic of O’Connor’s work meant the Christian idea that a person’s misdeeds, mistakes, and sins could be sponged away by the power of Jesus’ sacrifice at Crucifixion. The setting of her stories often seem to be monstrous distortions of the real world. These are stories where con men steal prosthetic limbs, hired labor abandons mute brides in rest stops, and bizarre, often disastrous advice is imparted.  O’Connor herself said of this reputation for writing ‘grotesque’ stories that ‘anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic.’ This is both a witty observation and a piece of advice while reading O’Connor’s work. These are stories about pain and lies and ugliness. The brutality that happens to characters …