Skip to main content

Thirty-six views of a starship

Katsushika Hokusai, a ukiyo-e  painter in 19th century Japan created a series of intensely detailed and colorful prints collectively titled the "Thirty Six Views of Mount Fuji." From either near or far, each print showed some view of that volcano from a variety of angles and distances. Mount Fuji,  serving as a symbol of immortality and divinity, had a profound spiritual significance in Japanese culture. By placing the mountain in the background of every image, the painter seemed to suggest that the mountain was too big, too complicated, to ever be captured from one single perspective.



After completing seven seasons of Star Trek: The Next Generation, wading through the good, bad, and ugly, following the Enterprise and her crew from one end of the universe to the other, I have a similar reaction. This was the first time I've ever watched the show from start to finish and I have to say, the experience really affected me. More than I thought it would.

This was my show when I was growing up, the first one that really seemed to belong to me, rather than to my parents. Parts of this show sunk deep within my subconscious, leaving permanent marks on my expectation of what science fiction should look like and how the people of the future should behave. This was hard for me to understand until I'd read enough science fiction on my own to appreciate just what a particular vision Star Trek represented.

As a utopian statement, the show gave us a ship and crew produced by a society we're informed is largely free of disease, poverty, and mental pathologies. This is a society of clear hierarchies, Picard the captain, Riker the "number one," everyone else's place as easy to discern as counting the number pips on a collar. And yet, Star Trek spends an inordinate amount of time following the crew members on their less structured pursuits. Data gradually learns painting and poetry, Riker practices jazz, and Dr. Crusher directs community plays. Even in a society as structured and ordered as a quasi military star ship, the overall story of the community couldn't be told without checking in with all of the other crew members. I'm not sure if everyone had this reaction growing up with this show, but honestly I assumed that this was what the future would be like. The purpose of life would be joining a community of talented individuals committed to the explorations of the possible.

Does that sound hopelessly naive? Perhaps, but maybe that's the real charm of this show. Sentiments that seem daft or impractical when written down felt inevitable, even when filtered through the waves of static on Fox Channel 31. Even when I accepted the implausibility of warp drives, teleporters and replicators, it's still hard to shake the authority of the show's perspective.

If you want good, perceptive reviews of each Next Gen episode, I'd suggest either Keith DiCandido's exhaustive Tor rewatch notes or  Jammer's somewhat more thematic reviews. I will spotlight a handful of episodes that particularly stuck with me for good, bad, or as examples of an major theme of the show or a reason why I think the show, even a quarter of a century later, remains relevant.






Comments

Graham Clements said…
I have to object, Replicators are not that far fetched, and with expected advances in nanotechnology and computer power should become a reality sometime this century. Transporters may also come into existence, a few years ago scientists successfully teleported a photon.
Morgan Crooks said…
Hmm, interesting point, Graham. If you can dredge up some links along those lines, I'd be happy to include them in a 'science of Star Trek revisited' post I'm planning.
Thanks for reading!

Popular posts from this blog

Review of R. Scott Bakker's The Darkness That Comes Before

First, a word about how I came to pick up the first novel in R. Scott Bakker's The Prince of Nothing historical fantasy series. In short, after finishing "A Dance with Dragons," by George R.R. I googled what should I read next. This series came up. I mention this because it might serve as a usual gauge for what to expect from "The Darkness That Came Before;" people liking Martin's mix of history, in-depth characterization, dark subject matter, and world-building will probably like Bakker's work. People not fond of entire chapters devoted to the Byzantine political maneuvers, a dozen pages of appendices on characters, maps, and language trees, or character names with umlauts should avoid this book. Basically, the story of 'The Darkness That Comes Before," follows a warrior monk by the name of Anasürimbur Kellhus, who during a quest to find his father, becomes entwined with a Holy War against a nation of fanatical monotheists. The story is...

Death's End by Liu Cixin

Having recently finished the last book in Liu Cixin's instant classic "The Remembrance of Earth's Past" series, Death's End, I can only report a feeling of total amazement and awe. There is so much about this novel that blew my mind, that offered different and better ways of viewing the universe. This novel did what I wish more novels would, serve up a new universe entire, evoking beauty and horror, nobility and disgust, in a timeless monument to unfettered speculation.  Obviously, in discussing the events of the last of a trilogy books, spoilers are to be expected. I am, however, going to try to avoid discussing much beyond the first 100 pages of the third novel. I read the translation of this novel, as ushered into being by the amazing talent of Ken Liu. Ken has written of a certain prickliness when it comes to translating work. He makes an effort not to anglicize the source material, not smudging away the occasional difficulties in bringing Cixin...

A Reaction to Peter Watts' "Echopraxia"

Peter Watts’ Echopraxia  is a side-sequel to his previous hard sf horror novel  Blindsight . Daniel Bruks, a biologist in the Eastern Oregonian desert, gets stuck in the middle of a war between a fugitive vampire and a cult of rewired post-humans called Bicamerals, ultimately kidnapped by them as they head towards the sun. The goal of post-human and vampire alike is to investigate a possible alien intelligence gaining strength there, to determine if it poses a threat, or offers a weapon for the two sides as they struggle for advantage. Bruks' goal is simple survival. Reading Watts is a simultaneously bracing and discouraging experience. Bracing because his depiction of the future and the oddities who inhabit it continue to get better and better, his plots more complicated and more involving, his characters less like sock-puppets for his ideas and more like actual human beings (or whatevers). Discouraging because Watts uses his considerable gifts, artistic and academic, ...